Randall G s No model number, just a Fender serial number. Crimm the peavey customer service guy will tell you the date Results of Used approximately 3 times since that date so it is in great condition. The amp is capable of lovely clean classic 50 style tones, through to crunchy and. The print date on the owners manual is see photos for the serial number. To consensus Ive got from amp builders is that a 50 drop to is Registration date:
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The SL-5 Slash Signature Amplifier is a terrific amp for the house or small gigs if hard rock is your bag and the variety of gain – warm crunch to sustain filled higher gain tones are all there and as rich and sustain filled as you’d expect. The clean channel offers warm cleans to a lovely crunch when you crank.
It has an on board digital reverb so much more useful for rock tones than a spring reverb IMO and it’s in superb condition. The last pic will give you a better idea of the size of this combo – it’s quite big for a 5w amp and heavy too due to the 12″ speaker inside and solid construction. Here’s the YT Marshall guy battering out some of the tones available: And here’s what Marshall have to say: The SL-5 is an all valve 5 watt amplifier incorporating various features, but above all else that distinctive Slash tone.
Working closely with Slash after the success of the AFD , it was deemed appropriate to make a more accessible amplifier that is ideal for home or studio use. The SL-5 has two channels; Clean and Overdrive. A single volume control for the clean takes you from authentic Slash clean to Marshall style crunch. The Overdrive channel, consisting of volume and gain, nails the AFD style tone and more.
Both of the channels have obviously been approved by Slash himself. A master EQ section of Bass, Middle, Treble and presence is included, as well as a high quality custom voiced digital reverb control. As well as providing 5 watts of valve power, the SL-5 can also be switched to just 1 watt at any time via the three way power switch giving you perfect Slash tone at bedroom volume.
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. Batch number V dates it to The ES ‘s were near the bottom of the price list for Gibson archtops of this era, but that only means minimal cosmetics appointments as it was built by the same craftsmen who built their fancier models.
All Marshall amps originally came with Celestion speakers, so in cases where the speakers are original, speaker date codes can be used to date earlier amps. Marshall cabinets didn’t officially include serial numbers until October As a result, dating cabs can be more art than science.
Previously Rzeznik had been in a band with Takac’s cousin, called The Beaumonts. In the early days of The Goo Goo Dolls , the band performed at gigs relentlessly, with Takac as the frontman Rzeznik gradually becoming the frontman over the next few albums, as each new album contained more songs sung by Rzeznik than the last. They were soon picked up by a small record label, Celluloid.
This attracted the attention of a larger record label, Metal Blade , who released their next few albums. For the next few years the band toured, produced albums and held down regular jobs. Influences[ edit ] Most of the music Rzeznik listened to while growing up was influenced by his sisters, and consisted of classic rock such as The Rolling Stones and The Kinks.
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Take me through your rig: What model Vox is that? How did you settle on this particular setup? Anything you tend to play more than others? I use a Vox AC30C2.
For the past two decades, one name has been synonymous with the best in rock amplification. Marshall has now become a household name throughout the world as a symbol of precision acoustic engineering, to be relied on, not only for superlative sound quality, but for high performance night after night.
Marshall has now become a household name throughout the world as a symbol of precision acoustic engineering, to be relied on, not only for superlative sound quality, but for high performance night after night. Each amplifier chassis is constructed from a minimum of 16 S. Industrial grade cadmium passivating ensures many years of rust-free operation.
All electronic components are selected and tested to out perform their required functions, and the electrical hardware, such as switches, selectors, etc. The same applies to both the mains and output transformer, that are designed and built to withstand full output for hour upon hour. To complete the electrical specification all valves are selected from the finest grades available. Once assembled and wired, using both hand and machine techniques, each chassis is fully tested by the team of electronic engineers.
After testing and adjusting, each chassis is assembled into cabinets that are manufactured to an equal standard as the chassis. Each cabinet is made from finest quality birch ply, corner locked and r. After the protective and decorative RV. A process of constant development work and a keen awareness of the requirements of the market piece, have resulted in the design and manufacture of a number of new amplifiers, beginning with the now famous , professional series.
The success of these models, with their twin channel formats and versatile facilities, led in turn, to the production of the equally successful 5Ow Combo model
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I see why everyone is so hot on it. I have been a dealer for most of the great bass amp companies over the years, Trace Elliot, Peavey, Fender, Roland, Yamaha, Ampeg, SWR and many I’ve forgotten and this is in the top best performing bass amp combos, I’ve auditioned. Huge volume that “hold together”. The folded horn design of the speaker cab, I think is the secret.
Early Marshall through the JCM series July of Marshall introduced the date coding system. Some of the older amps have an inspection sticker on the top of the chassis and they usually have the day, month and year the amp was made or inspected.
Trem is best I’ve ever heard. Sweetest low volume clean sounds with p s volume control set higher to “m” on volume control gives perfect small stage volume, with a fulldrive 2 or other 2 channel pedal it’s all the rig an experienced player needs. Jazz tones thru classic or modern rock. Possibly one of the best kept secrets. Don’t agree with the princeton comparisons, and circut is better imho than delux. A perfect 10, if you have been around and know what good tone is.
Fred Duffer At 14 to 18 watts it is not really very loud but what a tone. Like the Fender tweeds it is easiest to use the guitar volume to to control the degree of overdrive. It does not matter if you are using humbuckers or single coils it is a great sound. Classic tube driven overdrive with just the right degree of valve driven compression. Give it some reverb and hold on, because the tone and sustain will blow you away.
Origins[ edit ] Site of Jim Marshall’s first shop, now a men’s barber After a successful career as a drummer and teacher of drum technique, Jim Marshall first went into business in with a small shop in Hanwell , London, selling drums, cymbals and drum-related accessories; Marshall himself also gave drum lessons. According to Jim, Ritchie Blackmore , Big Jim Sullivan and Pete Townshend were the three main guitarists who often came into the shop and pushed Marshall to make guitar amplifiers and told him the sound and design they wanted.
These were very popular with guitarists and bass players, but were very expensive. The three guitarists were among the first customers of the first 23 Marshall Amplifiers made. T Prototype’s were produced, in Jim’s words, the “Marshall Sound” was born, although at this time the only involvement Jim had was to sell the amps on a commission basis in his shop. As business increased, Marshall asked the three to work for him in his shop, as he had more space and capital to expand.
Found a coding system around this should have owned a which is a jcm dating marshall jcm Found under the original, would need the serial production. Indeed, corner logo, as the head with 4×12 cabinets didn’t officially include serial number.
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